The bitter feminist’s analysis of Wall-E

December 11, 2012

A lonely, old and dirty male figure meets a new, modern, beautiful female figure and wants to hold her hand. She, however, has an important mission and is not interested.

yes he is very cute

yes he is very cute

He doesn’t leave her alone despite her obvious lack of interest, he stalks her, trying to reach her, but doesn’t succeed. When she leaves, he follows, uninvited. Driven by his desire to be with her, no matter what she thinks. Behind him leaving his pet, who it seems is now all alone in the world.

They arrive at a spaceship where the population of earth (or USA, which is more or less the same thing) is leading an easy life while Earth is being cleaned. The population, from what is seen, consists of 90% men. This explains why the captain, as well as all but one of his predecessors, is also a man.

The white male captain does what a man’s gotta do, fighting the machines for The Good Cause.

american

this however, isn’t

The male figure from the beginning of the movie sabotages (out of ignorance and clumsiness) all the work of his desired female. As they are attacked by evil robots, he helps out, and the captain’s Cause (which is the same as the female figure’s) can be completed.

Now the female figure realizes how the male took care of/stalked her while she was absorbed with her work. Since the male figure also gets badly injured and almost dies, the female figure’s desire (!) is raised, and now she wants to hold hands with him.

The message is clear. As a man you can be as old, dirty, outdated, stupid and ugly as you want. The beautiful female will always come to you if you’re only persistent enough in your stalking, and, better yet, if you can win her pity.

I would like, just for once, to see a movie that doesn’t leave me disturbed and with a sour taste in my mouth.

Leave a comment